![]() Bartsch explores these relationships in Hensel’s lieder and her piano works. ISBN: 9783034306010īartsch examines several works by Felix and Fanny, arguing that far from demonstrating epigonism (on Fanny’s part), these works instead indicate that brother and sister were in a long-standing musical dialogue that generated new work. “Felix Mendelssohn Bartholdys Lieder (mit und) ohne Worte im Dialog.” In Mendelssohn-Interpretationen: Der unbekannte Mendelssohn-das Liedschaffen, edited by Dominik Sackmann, 101–123. Berlin: Berliner Wissenschafts-Verlag, 2003. “Fanny Hensels einziges Streichquartett-ein Problemfall? Fanny Hensels Streichquartett zwischen Zuweisungen und Aneignung.” In Etablierte Wissenschaft und feministische Theorie im Dialog, edited by Claudia von Braunmühl, 135–158. ![]() These studies explore those connections and influences.Ĥ10. Bartsch, Cornelia. In addition, recent scholarship has demonstrated that the influence between Hensel and her brother was two-sided each influenced the other’s composing in manifold ways. Bach, Ludwig van Beethoven, and her brother Felix Mendelssohn Bartholdy. Consensus is emerging in the scholarship, however, that three of the largest influences on her were J. 218) therefore, teasing out all of the compositional influences on her would be a monumental task. Hensel was familiar with a wide range of contemporary and historical music (see no.
0 Comments
Leave a Reply. |